Showing posts with label child voice. Show all posts
Showing posts with label child voice. Show all posts

Adult Beginners: Ellen Burstyn

In her memoir, "Lessons in Becoming Myself," Oscar-winning actress, Ellen Burstyn, writes about learning to sing again as an adult for her starring role as Alice in the movie Alice Doesn't Live Here Anymore.

"One of the tasks of adulthood, in my view, is to look at what has been laid down in our brains early on and decide whether we want to keep that as a part of our worldview. Certainly anything that got programmed as a limitation of our possibilities needs to be examined and consciously kept or ejected.

"For instance, I was in the glee club as a schoolgirl and was often asked to sing solos. When I was around 12, I decided I'd like to take lessons and perhaps pursue singing as a career. I told this to my mother, who said, 'Let me hear you sing.' I went to the piano in the dining room and opened the sheet music for 'If I Loved You' [from the musical, Carousel]. I played the opening chords and sang the first line. From the kitchen came my mother's voice: 'Awful!' "

"That was it. I couldn't carry a tune after that. My ear went dead."

"One of the things I wanted to accomplish in Alice was to reawaken my ability to sing. I didn't have to be great. Alice wasn't a great singer. I just wanted to be able to stay on key and deliver the song as best I could. I worked on it for months. The final recordings were a patch job of different takes of my own singing and piano playing. I did it with a lot of help and augmentation. But I did it."

Ready for lessons? (1. Developmental Factors)

I frequently receive phone calls from parents of young children (2-6 years old) who sing all the time and may have asked to take lessons. Often, a parent will go on to confide that he/she wants to find out if the child "has something."

What the child has is a love of singing and a natural curiosity about his or her voice. This, in itself, is precious.

For several reasons, formal individual voice instruction is usually not the best choice for a very young child.

It is important to recognize that the structure required for singing in lessons, the need for physical and intellectual self-awareness, and the kind of practicing necessary for a student to benefit from lessons may run counter to a very young child's natural developmental stages. Pushing a child beyond that which he or she is developmentally ready to do will only result in frustration for parent and child.

For a young child who sings, that singing is play. By experimenting with her voice the child is learning and practicing in a way that is developmentally appropriate, using a process similar in many ways to the natural trial-and-error pre-toddlers employ as they learn to talk and walk.

Because a singer IS the musical instrument, formal vocal instruction requires a level of self-awareness not developmentally accessible in early childhood. Learning to sing in lessons requires body awareness, the ability to reflect upon what one has done and would like to do, and a willingness to accept and retain complex instructions.

To benefit from formal lessons a student needs to be mature enough to practice teacher specified material independently at home while maintaining the joy that originally motivated the desire to take lessons. Practicing requires self-discipline. If the student is not able to tolerate the repetition and sometimes frustration involved in practicing, then it is advisable to wait until he/she is older. While parental praise and positive guidance go a long way toward developing good practice habits, forcing discipline on a child will not encourage a love of music.

While it is best if a child is able to read and memorize lyrics, it is possible to work around reading difficulties if the child has a strong auditory memory and the self-motivation needed to work through challenges.

Music programs designed for young children who are not yet reading are often taught in parent/child groups, with songs integrating repetition and movement. Many important musical concepts can be taught in such contexts. They are also a wonderful opportunity for parent/child bonding.

I feel it is important for a parent to avoid focusing on the young child's love of singing as a possible ticket to fame. When the time comes for the child to test will, skill and ability in pursuit of competitive musical opportunities, it will be the playful joy of singing that sustains such efforts and provides lasting satisfaction. Public recognition is a pale shadow by comparison.

When I receive a call from a parent, as described above, I usually recommend that the parent continue to nurture the child's natural curiosity and developing voice by providing:

  • group and family singing experiences, such as Kindermusik or Music Together classes available in many areas;
  • sing-along recordings that feature other children's voices as models;
  • participation in a children's choir, if one is available at a local church or school.

I accept students 10 years of age or older for private vocal instruction.

©2007 Kay Pere ~ Effusive Muse Publishing